Tutorials Open the Studio

How to turn a photo into a stained glass pattern

A photo becomes a stained glass pattern by tracing it by hand. Put the photo under the pattern at the panel's real size, draw the shapes that matter as leads, then add the lines the glass needs until every piece can be cut out of a sheet. No filter does this for you: a pattern is drawn for the glass, not copied from the picture.

  1. 1Choose a photo with strong shapes
  2. 2Put it under the pattern at its real size
  3. 3Trace the big shapes first
  4. 4Add the lines the glass needs
  5. 5Choose the glass from the photo
  6. 6Why not a photo-to-pattern converter?

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A photo of a window under a new round-topped panel in VETRATA Studio, faded to trace over.
Your photo stays in this browser.

  1. Trace a line of the photo with a lead
  2. Cut the field into six pieces or more
  3. Try a photo of your own
Trace it here, with the Studio's own engine: draw leads over the photo, or choose a photo of your own. It stays in your browser.

01

Choose a photo with strong shapes

The best photos for stained glass have a few big, clear shapes: one flower, a bird on a branch, a house against the sky, a landscape with a horizon. Fine texture, like fur, grass or leaves, can't be leaded line by line. It becomes the glass's own texture, or paint.

Crop the photo to the shape of the panel, and look at it small: the shapes you can still read in a thumbnail are the ones the pattern needs.

02

Put it under the pattern at its real size

Place the photo under the pattern and give it the panel's real size. Drawn over a picture at its real size, the pattern comes out at its real size too. Then fade it until the lines you draw stand out.

VETRATA Studio with a photo of a window placed under a new round-topped panel, faded, its real size set in the Inspector.
The Studio's tracing image: a photo under the pattern at its real size, faded.

03

Trace the big shapes first

Draw the outlines that make the picture: the subject's edge, the horizon, the line of a hill. Follow the shapes, not every wobble of them: a lead bends in smooth curves, and glass is cut in them.

Leave out what glass can't do. A whisker, a blade of grass or a highlight is thinner than any lead: leave it to the glass, or to paint.

04

Add the lines the glass needs

Then divide the background. Run lines from the subject's edge out to the edge of the panel, so every piece can be cut out of a sheet, and put a lead across every deep inside curve where the subject meets the background.

Then check each piece as you would any pattern: no deep inside curves, no sharp points, no slivers, nothing too big.

05

Choose the glass from the photo

Pick each glass by its colour in the photo, then look at the panel in light. A photo is lit from the front, glass from behind, and the same colour looks different.

06

Why not a photo-to-pattern converter?

Programs that turn a photo into a stained glass picture split it into cells by colour. On screen it looks like stained glass, but the cells follow the colours, not the glass: they meet in sharp points, curve deep into each other and break into slivers no one can cut. A pattern you will cut is traced by hand, with the glass in mind.